New music from Steve Earle, Todd Snider

T Bone Burnett produced the Steve Earle song “This City”, which plays during the closing credit for HBO’s Treme, a drama set in the Treme district of New Orleans which in which Earle plays the character of Harley, a local folk musician who is forming a Cajun band to back him on a tour. According to his website, the song will appear on Earle’s upcoming album which will be also be produced Burnett, and has been described by Earle as his “most country album to date.” I’ll Never Get Out Of This World Alive comes outon April 26th via New West Records. The album is the anticipated follow up to the Grammy Award winning 2009 release Townes.

Steve Earle, Shooter Jennings, Mojo Nixon, Elizabeth Cook talk Springsteen

[youtube=http://www.youtube.com/watch?v=tWCkNWpqQC0&feature=player_embedded]
http://www.youtube.com/watch?v=SVv5EvyN-eM&feature=related
Todd Snider is working with Don Was and Great American Taxi, recording Jerry Jeff Walker songs to be released next year on the occasion of Jerry Jeff’s 70th birthday. Snider says they are about half way done with the project.
“We did ‘Will There Be Any?’ and were going to do ‘Pissin in the Wind’, he writes on his Facebook page. “I think were gonna do about 15 songs…all but three written by jjw. The others are songs he didn’t write but made famous.”
Follow Todd’s postings on his notes page at Facebook. Snider’s also has a new live album coming out February 1.

Todd Snider: Busy Man Comes to Bloomington

(originally written for NUVO.net (8.31.10)

I hate musical labels. But I can use them. I’d call Todd Snider a roots rocker, having seen him with his old band The Nervous Wrecks, all sweaty and rockin’. Call him folk, or a kind of Prine/Petty/Jerry Jeff Walker/Jagger hybrid. Some of those work for you?
Todd will perform at the 3rd annual Hillbilly Haiku Concert at the Upland Brewing Company in Bloomington, Indiana this Friday (September 3rd) at 6pm. TV Mike and the Scarecrows and The Elly Maze open.
The Hillbilly Haiku Americana Music Series is hosted by the Upland Brewing Co. to raise money for the Sycamore Land Trust. All proceeds from the concert’s ticket, food, and beverage sales benefit the Sycamore Land Trust, whose mission is to preserve the landscape of southern Indiana. Working with private landowners to protect their family heritage, SLT has conserved over 5,500 acres on more than 66 parcels and helped plant over 55,000 trees.
After he rolls out of town, Snider will head to the Americana Music Festival held in Nashville beginning September 8, and will fire up a group he is calling Todd Snider’s Rock & Roll Revue, featuring Jason D. Williams, Dan Baird and Friends.

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Video: Todd Snider reunites with (almost) Nervous Wrecks

For fans of the Todd Snider drunken, buzzed and sweaty bar band days, here’s Todd reunited this summer with original Nervous Wrecks rhythm section Joe McLeary and Joe Mariencheck, with former Georgia Satellite Dan Baird on guitar. 
Video is from June 12 in Tennessee, at a cool joint attached to a Harley-Davidson dealership.  Brilliant idea; they bring in some pretty cool (Chris Knight, Billy Joe Shaver, Blackberry Smoke) country rock.
http://www.smh-d.com/shed.php
[youtube=http://www.youtube.com/watch?v=ZpH6xL_wo0s]

New Todd Snider and the Eastside Bulldogs video

Todd Snider has evolved from young 20-something strummer,  playing Jerry Jeff Walker tunes around Austin because he felt he must, to a straight-up, full-blown rock and roll band leader with the should-be-and-maybe-they-are legendary Nervous Wrecks, to now having built a seemingly solid career as a barefoot neo-folkie who can whip your ass with his lyrics.  Along the way, he’s proven himself to be the singer of great songs, writer of words that show his near-genius respect and understanding of the human condition, and smoked a lot of weed.

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Santacular Christmas Song Countdown – #16 – Rusty Bladen

You will notice, if you are a longtime reader, I throw in a fair amount of unsubstantiated opinion on my way to passing along facts. In reality, if you have read the blog posts over the past year, you already know – via these little nuggets of insight that roll out of my brain, into my fingers and onto the computer – what I like. And trust me, this has everything to do with the song at #16.
If you listed the six (I needed six – five wasn’t enough) musical sounds/songs/albums/artists that are the influences behind this here Rockforward site, it would read like this:
1. The trio of Mellencamp albums in the mid 80’s – “Uh-Huh”, “Scarecrow” and “The Lonseome Jubilee”. Anyone who is 35+ that likes the music we do should recognize how much these albums – especially “Scarecrow” – influenced tons of Americana and roots-rock bands and fans.
2. Tom Petty. Anything Tom Petty.
3. Those late 80’s bands that came on the heels of Petty and Mellencamp (including Gear Daddies, Uncle Tupelo, BoDeans, Del Fuegos, Georgia Satellites, Jason & The Scorchers, Lone Justice, and regional/Indiana artists like Larry Crane, Duke Tomatoe, The Hammerheads, and Henry Lee Summer. That is some and there are more ) Alt-country before they called it that. Heartland rock at the time.
4. Springsteen – for the majesty of the rock and roll, the brilliance of the lyrics, and the passion of the live show. And for the lineage to bar band rock and R&B  (like the outstanding J. Geils Band)
5. Power Pop. I think Cheap Trick is woefully underappreciated. Rick Springfield’s “Working Class Dog ” album should be considered great power pop/rock. The Cars debut album is one of the best records in the rock music era. Matthew Sweet’s “Girlfriend ” record was killer. I saw the Romantics live at a bar in 1989 and they were loud, into the performance, and rocked hard, fast and righteously.
6. The current crop of bands that carry on the sounds: Bottle Rockets, Todd Snider, James McMurtry, Cross Canadian Ragweed, and Will Hoge among many more…
So that’s where I come from. And it leads to #16 on our countdown of 20 Christmas roots-rock songs. Indiana’s Rusty Bladen has been working for the past 20 years in the bars, clubs and parties throughout the state. I’ve known him that long, first meeting him when I was a radio jock down at WORX in Madison, Indiana – I was just out of college and had a Sunday night radio show and eventually did mornings for a couple years. He was just starting his solo career after a few years in cover bands. He now plays mainly solo live shows that are always high energy. His sound hits all of the influences I already cited.  His writing is blue collar.
About a year ago, he released “Feels Like Christmas”, a holiday album of 11 classic Christmas songs and one original – the title cut. That’s the one we have here. Mellencamp drummer Dane Clark produced the effort, and made it all sound really good.  A great country rock/heartland/Americana record. The record is simply my favorite Christmas album of all time. Overstatement? Nah.  Listen to the album.
Here’s the song, with it’s  fun, quaint, and homegrown video.
[youtube=http://www.youtube.com/watch?v=_2BFQCKHAdE]

Concert Review: Will Hoge Brings His Influences to Indianapolis

Will Hoge began the final night of his 2009 tour by sitting in a chair at the front of the stage, playing acoustic guitar. By show’s end Saturday night at Radio Radio, he was in full Pete Townshend windmill, testifying frontman mode. He was sweating, screaming and generally doing what Will Hoge does in a live setting: channeling his inner Petty and Springsteen to create Memphis via Nashville soulful rock and roll. And damn, if he isn’t about the best at what he does.
Ambling on stage in a white dress shirt, back vest, and black tie with an unbuttoned collar, Hoge dotted his 2 hour, 10-minute, 28-song show with songs from his five studio albums, leaning most heavily on his first (“Carousel”) and his latest (“the Wreckage”). Opening with the title cut to the new record – it served as a metaphorical reminder of the nearly year-long battle Hoge fought to recover from a serious scooter accident in August 2008, suffered on his way home from a studio session during the recording of the album.
While the sold-out show (a sign was posted on the front door of Radio Radio just before 8:30pm) pushed showgoers together and created a palpable energy of expectation, Hoge’s initial two songs, played seated, had much of the audience struggling to see the singer and dive into the moment. His voice is gritty, blue-eyed soul when he slows his music down, and his plaintive, tough yet-sensitive lyrics shine.
But with “Highway Wings” from the new record, Hoge stood up, the audience energy came with it, and the rock and roll began. The three song-suite, featuring the ultra-hooky “Secondhand Heart” and the rocker “She Don’t Care”, played to Hoge’s strengths: Petty-esque, anthemic pop/rock, dirtied up with loud Fender Telecaster rhythm and a band that fits nicely and loudly into the mix.
The sound at Radio Radio is always some of the best for any venue in the city, and this night was no exception, treating the audience to clean, crisp instrument separation: just the right thump of Adam Beard’s bass and Sigurdur Birkis’s drums (and they may be the best rhythm section I have seen in 2009), with dueling, jagged guitars, and vocals that rode just atop the mix. Nearly perfect.
Hoge and his band built energy in five or six song bursts, starting with an acoustic song or two before heating up the room with the electric guitars. As the band rocked Hoge would hold his blond Tele above his head, and lean backwards and sideways into the microphone to sing a lyric.
He mentioned how nice it was to have an audience that knew the words, and responded by playing “Heartbreak Avenue”, a song he said the band rarely tries, pulled from the “Carousel” album. “Favorite Waste of Time” had a Smithereens crunch to it, while “Better Off (Now that You’re Gone)” from his underappreciated “Blackbird on a Lonely Wire” album showcased the band’s ability to take a sugary rock song and infuse it with off-the-beaten-Nashville-path twang. Halfway through the show, it was evident Hoge was back. Sure, he sat a few times, either to rest or for effect. Either way was OK, because when he did stand, strap on the electric guitar, and rock, that’s the Will Hoge experience that most seemed to relish.
And you have to be proud of Indy to pack 500 or so into a club for a band whose music doesn’t fit neatly onto the radio in 2009. It’s a shame, a sham, and a pity; Hoge is the guy delivers energy and connection with his rock music, not to mention some great fuckin’ lyrics on top of the guitar snarls and snare snaps.
The staccato riffs of “Your Fool” revved the song and audience up, and the current radio song “Even If It Breaks Your Heart” proved to be anthemic, as expected, singing about the powers of ambition filtered through the radio of a kid. It began a sweep into the back half of the show that found the audience finding their voice, and singing with Hoge.
The crowd knew and sang with “Ms. Williams”, the Elvis Costello-ish “Hard to Love” and laughed along with a story of him breaking into one of the band’s two hotel rooms to find the guitar and bass players on the web, watching video’s of 80’s heavy metal band the Scorpions..
Ending the set by sitting at the piano for “Too Late Too Soon”, Hoge and the band soon came back for a nine-song, end of tour blowout encore, channeling the Georgia Satellites, Todd Snider, The Faces and The Who as they sweated their way through “Just Like Me,” , Long Gone” and a beautiful “Highway’s Home” featuring guitarist Devin Malone on pedal steel.
Near the end. Hoge said the band was going to do a “social experiment” and took them into the back of the room, with only acoustic instruments, and sang and played unamplified, quieting the crowd with harmonies, before he jumped back on stage to perform a sublime, gospel-influenced, “Washed by the Water”. It found Malone moving over to play the keyboard, and eerily emulating a church organ. The audience sang the chorus back to Hoge as the singer waved and walked off the stage.
Will Hoge’s ability to rock and roll with aplomb and walk away with a big smile was a far cry from the days following his accident, after a van driver failed to yield and Hoge smashed into the side of the vehicle. He broke numerous ribs, his sternum, leg, knee cap, shoulder blades, and required more than 100 stitches. So it’s quite a distance traveled for Hoge. Just only once did he quickly mention how “tough it had been” before he fell back into his show, performing like he was glad to be back.
Great, up-close video from the show – November 21, 2009 at Radio Radio
[youtube=http://www.youtube.com/watch?v=E_3PzKRvwaw]