Whether you know it or not, I temper my enthusiasm for Bruce Springsteen and the E Street Band. Not everyone likes him, and I’m OK with that. Probably have never been to a show, but whatever.
In honest-to-Telecaster truth, I believe Bruce and the band will, 50 years from now, have gone down in history as the most legendary rock and roll band ever. I have never been disappointed at a live show. Never. I have seen 15. And that ain’t many, I realize, compared to the crazies. He is the gold standard; other artists have to give a killer live show or there’s no love from me.
And it really helps if they write great songs.
Those are the rules, fair or not, when you read the Rockforward blog.
Yet, there is a big, big stack of rock and roll/roots rock/Americana artists and music I love – all non-Bruce. Great music from hundreds of bands. We have favorites. We have music and bands newly discovered. And there’s lots and lots of music that I hear and turn you on to, because it’s what turns me on. That’s the idea and promise.
And right now, I am loving the video posted today (Friday (4.17) of Springsteen and Social Distortion’s Mike Ness at Bruce’s second night in LA Thursday. They are rocking Social Distortion’s “Bad Luck”. The guitar playing is incredibly rockin’ and just when you think it’s all done…
[youtube=http://www.youtube.com/watch?v=EZPpL_gGzlE]
Setlist:
Badlands
Candy’s Room
Outlaw Pete
No Surrender
Adam Raised a Cain
Working on a Dream
Seeds
Johnny 99
Youngstown
Raise Your Hand
Proud Mary
Growin’ Up
Hungry Heart
The Promised Land
The Wrestler
Backstreets
Bad Luck (w/ Mike Ness)
Lonesome Day (w/ Jay Weinberg)
The Rising (w/ Mike Ness and Jay Weinberg
Born to Run (w/ Jay Weinberg)
* * *
Hard Times
Thunder Road
Tenth Avenue Freeze-out
Land of Hope and Dreams
American Land
Glory Days
Springsteen
Roots Rock Notes: Gaslight Anthem live acoustic, Wilco on tour, Petty kicks back, Son Volt's new album
I have your audio, your video, the news you didn’t know, and it’s all free. Unbelieveable, I know.
.: Hey, ho, rock and roll. Deliver me from nowhere… :.
GASLIGHT ANTHEM’S BRIAN FALLON LIVE ACOUSTIC
•Brian Fallon and his band The Gaslight Anthem are one of the (deservedly so) hot bands right now – schooled in the art of the garage rock and the rock-with-a punk-edge bands like The Replacements. “I don’t think there would be a Gaslight Anthem without the Replacements,” Fallon told SPIN Magazine. He played an acoustic cover of the Minnesota indie band’s “Left of the Dial,” and it is posted on the magazine’s website.
Watch 3 song acoustic session including “That ’59 Sound” and “Left of the Dial”.
WILCO IN BLOOMINGTON w/ Hawk and a Hacksaw opening
•A legendary alt-country band, right? One step removed from Uncle Tupelo, Jeff Tweedy and his band are in Bloomington for a show at the IU Memorial Auditorium on April 16. It’s not sold out; kinda interesting. The band plays two nights in Milwaukee before coming to Bloomington, and both of those are sold out, though the proximity of Milwaukee to Chicago aids that sale. (you can hear two previous concerts on their website)
According to the band site, a still-untitled next Wilco album is nearing completion. Jim Scott and the band just finished mixing in Jim’s studio in Valencia, California. They list song titles, though the record isn’t sequenced and some titles may change:
Deeper Down
Conscript (aka I’ll Fight)
One Wing
Solitaire
Wilco (the song)
Country Disappeared
Everlasting
Bull Black Nova
Sonny Feeling
You and I
WILCO American Tour Schedule (from wilcoworld.net)
APR-14 MILWAUKEE, WI PABST THEATER
APR-15 MILWAUKEE, WI PABST THEATER
APR-16 BLOOMINGTON, IN IU AUDITORIUM
APR-17 ATHENS, OH TEMPLETON-BLACKBURN ALUMNI MEMORIAL AUDITORIUM
APR-18 KNOXVILLE, TN TENNESSEE THEATRE
APR-20 ATHENS, GA CLASSIC CENTER
APR-21 ASHEVILLE, NC THOMAS WOLFE AUDITORIUM
APR-22 BIRMINGHAM, AL SLOSS FURNACES
APR-23 OXFORD, MS LYRIC OXFORD
APR-25 NEW ORLEANS, LA NEW ORLEANS JAZZ & HERITAGE FESTIVAL
JUN-12 CINCINNATI, OH ARONOFF CENTER
JUN-13 MANCHESTER, TN BONNAROO
ROCK TWANG NOTES:
→Son Volt will return this summer with their sixth-full length album. The new record is titled American Central Dust.
→Rosanne Cash is dipping back into her childhood for her next album, “The List”.”‘The List’ is based on a list my father made for me when I was 18 years old,” Cash tells Billboard. “He called it the ‘100 Essential Country Songs’ and said if I learned this list, I would be truly educated. We are culling about 15 songs from the list, and re-interpreting them, with the respect of an archivist…”.
→Ron Wood said that he’s recorded about a dozen songs for a solo album called “More Good News.” Produced by Bob Rock and Wood , with gueststhat include Pearl Jam’s Eddie Vedder.
→Sister Hazel plays at the Bluebird in Bloomington on Friday night.
LA TIMES DOES BRUCE:
“We played on the last tour and there were some empty seats here and there and, well, there shouldn’t be any empty seats at an E Street Band show,” he told the LA Times. “I hold pride that we remain one of the great wonders of the world . . . so sometimes you got to remind people a little bit.”
read full story
REMASTERING THE BEATLES
The Beatles whole catalog is going to be digitally re-mastered and released on September 9. The remastered discs will be available individually in stereo and in two box sets – one stereo and another in mono. Please Please Me, With the Beatles, A Hard Day’s Night, Beatles for Sale, Help!, Rubber Soul, Revolver, Sgt. Pepper’s Lonely Hearts Club Band, Magical Mystery Tour, Yellow Submarine, The Beatles (The White Album), Abbey Road and Let It Be all get remastered, plus Past Masters I and II.
→The David Lynch Foundation’s Transcendental Meditation benefit in New York became a Beatles reunion of sorts as Ringo Starr joined Paul McCartney on stage for the show’s three-song finale at Radio City Music Hall
read story here
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BAND THAT I LIKE w/ FREE DOWNLOADABLE BOOTLEG
John Paul Keith and the One Four Fives
John Paul Keith is a native of Knoxville, TN, living in Memphis and has played in a lot of bands (The V-Roys, among others). Listen to his tunes on myspace and if you want to (BOOTLEG ALERT) download a free live album of his work, click on this link
“This was a gig I did in Knoxville at the Corner Lounge about 3 years ago, with a pickup band put together by Jeff,” Keith said. “This was an important gig for me at the time, because I hadn’t played my songs in public in about 2 years, and it was really great to play for the home folks. It really inspired me to get going again. Not long after that show, the One Four Fives eventually got together in Memphis.”
[youtube=http://www.youtube.com/watch?v=4Ndm2esvpx4]
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ROB’S “IPOD SHUFFLE EXPERIENCE – Week 5
•Inside the randomness that is my digital library. Shuffling the iPod, and we take the first five tunes, starting now:
1. “Lookin’ For Love” – J. Geils Band
From a bootleg recorded in Detroit in 1977. They are the only band I have never seen live that I really wanted to. I grew up in Michigan, so word would filter out of Detroit that the band had played some four-hour show at a club. By the time they went big with Freeze Frame in 1980, the nastiness was a bit worn off. Their live albums before that, especially “Blow Your Face Out”, are essential.
[youtube=http://www.youtube.com/watch?v=iRezwP_znTc]
After spending most of this decade on hiatus, they played the new House of Blues club in Boston in February and will return to Detroit to play the Fillmore April 24.. The HOB set was reportedly great, as the Patriot-Ledger described the band as “light-years beyond every expectation, inhumanly tight despite a lengthy hiatus, and palpably enjoying every minute of their return”.
2. “That’s What I Am” – Dan Baird
Off his first solo record “Love Songs for the Hearing Impaired”, this is a party song set to a Chuck Berry-meets-Replacements groove. The hit off this album was the cute but cool “I Love You Period”. I saw this tour in Fort Wayne, with a band that had (speaking of the Replacements) Slim Dunlap on guitar.
[youtube=http://www.youtube.com/watch?v=SFpsDAL4oKE]
3. ” So Hard Done By” – The Tragically Hip
Who the hell is Tragically Hip, you ask? Probably one the most critically acclaimed rock and roll bands to come from Canada. Another show I saw in Fort Wayne (at the same bar as Baird too). Really underplayed on radio stations of America. They are like a Canadian Cheap Trick – been around forever, melodic songs, and great live show. They also harken back to the 70’s with echoes of REO along with a definite 1990’s alt rock taste, yet not overwhelmingly so. I hear BoDeans in their music too.
[youtube=http://www.youtube.com/watch?v=0vHEV3llaHY]
4. ”Kiss Me in the Dark” – Randy Rogers Band
Some of that great Red Dirt country rock, out of Texas and Oklahoma. One of my favorite sounds is this little genre. Cross Canadian Ragweed, Stoney Larue, and Charlie Robison are just a few who have made a career touring Texas. Rogers has now been on Letterman and “The Tonight Show” in the past year.
[youtube=http://www.youtube.com/watch?v=VoBlryfjlCc]
5. “Fallen Angel” (live) – Poison
I’ve got no problem pledging my love to the golden age of Poison, and it survives, even through the whole Bret Michaels “Rock Bus of Love” thing. Part bubble gum rock, part heartland rock (the band is from Pennsylvania, in case we all forgot), and complete candy. Plus the original members are still together, so that counts fror something. Guilty pleasure? Your call.
[youtube=http://www.youtube.com/watch?v=U5lTt0jZ330]
AND FINALLY
•Excellent interview with Tom Petty on his website from late last year that I just came across. It includes the greatest answer ever to the the following question:
Interviewer: “Tell me about a day-in-the-life of Tom Petty, off the road and out of the studio. What’s on the itinerary?”
Tom Petty: “It could be any number of things. That house I have on a lake plays a big role these days. I get some books, sit around and read for awhile, then maybe go out on my boat and try to catch a few bass, come in and watch a few movies in the evening, maybe smoke one, play guitar or noodle at the piano. But this not working thing is, for me, really harder than working” (laughs).
Read full interview (.pdf) – interviewed by Warren Zanes, former guitar player for Del Fuegos and now a Ph.D who teaches, and was a past VP of Education at the Rock and Roll Hall of Fame.
BONUS: I am in Indianapolis. Heartland and shit. So I want to feature some Indiana roots rockers on the blog; there are many around who fit not-so-neatly into the Americana genre. Look for them here soon.
Meanwhile…
“Check check. One-two. Testing one-two…ssss. Ch…ch…Check.”
Let’s make sure this thing is on…
[audio:http://www.rustybladen.com/mp3/blueflannelshirt_studio.mp3]
Blue Flannel Shirt – Rusty Bladen
Roots Rock: U2, Jack Black, Little Steven, Mat Kearney
U2 is currently streaming their new album, “No Line on the Horizon”, on their MySpace page (www.myspace.com/u2) more than a week before its March 3 release. The band will play five consecutive nights on Late Night With David Letterman starting March 2. No word on if this is in response to staffers at Universal Music Australia inadvertently mading the new album available digitally more than a week before release. According to reports, high-quality downloads of the album were briefly made available earlier this week on Getmusic.com.au, a digital store operated by Universal Music’s Australian affiliate. “Horizon” is also now understood to be widely distributed via peer-to-peer file sharing networks. They ended up selling the nine-million copies of 2004’s”How To Dismantle An Atomic Bomb”, which was also leaked, so this may be a case study in “Leaking an album just doesn’t matter if you are U2”
School of Rock star Jack Black married into a pretty impressive musical pedigree when he wed singer Tanya Haden. Haden is one of the triplet daughters of legendary jazz bassist Charlie Haden–best known for his work with Ornette Coleman. Her sisters Petra plays in the Decemberists, and Rachel is a founding member of The Rentals. Last year, the entire family, under the moniker Charlie Haden Family & Friends, collaborated on the American roots album “Rambling Boy”. They are all playing the Opry at the Ryman this weekend. Ricky Skaggs (also a guest on Rambling Boy), Del McCoury, Hal Ketchum & The Infamous Stringdusters will also be appearing.
Click on links below to listen
Opry on GAC
Opry on WSM Radio (online)
Originally expected in April, Dave Matthews Band’s as-yet-untitled new RCA album will now arrive June 2. The group has also announced its annual summer tour, beginning May 27 in Darien Center, N.Y. – They come to Indy for two nights at Verizon Wireless Music Center on Friday, July 31, and Saturday, August 1.
Mat Kearney is set to release his new album, City of Black & White, on May 19, a followup to his major label debut, “Nothing Left To Lose”, Mat recorded in his new hometown of Nashville, TN,
CHOOSE ONLY ONE? This Week’s Indianapolis Live Show Pick: Justin Townes Earle – Saturday February 21 at Spencer’s Stadium Tavern. Earle, son of singer/songwriter Steve Earle, releases his second album, ‘Midnight at the Movies,’ in early March. He proved he has the talent to stand on his own, with or without the legendary roots-rock name. LISTEN HERE
ALBUM CHART: Taylor Swift’s album “Fearless” returns to the top of The Billboard 200. The set moved 92,000 copies on a 44% salesjump, resulting in its nine non-consecutive weeks at No. 1. The last album spend more time at the top was Santana’s “Supernatural,” which was #1 for 12 weeks in 1999 and 2000. Selling 77,000 on a whopping 715% increase, Robert Plant and Alison Krauss’ “Raising Sand”zoomed from 69 to 2 following its album of the year win at the Grammys. The set debuted at No. 2 in late 2007 with 112,000 and has now sold 1.26 million to date. Coldplay’s “Viva La Vida or Death and All His Friends”rebounds 31-8 with 62,000 sold (+271%); the album generated three Grammys, including song of the year for “Viva La Vida.” Bruce Springsteen’s “Working on a Dream” falls from 2 to 6 with 65,000 sold.
Springsteen guitarist Steve Van Zandt is about to launch a new hard rock label, Lost Cathedral, with the May 14 release of Crown Of Thorns’ “Faith.” Van Zandt’s garage rock label, Wicked Cool will continue to exist. We basically decided to keep Wicked Cool identifiable as a garage rock label, at least for now,” he told Billboard this week. “In the last couple of years, we’ve gotten a lot of hard rock things submitted to us. A lot of it is quite good — a little bit punkier or hard rock than we do with Wicked Cool.”
THE REALLY ODD PAIRINGS DEPT.: Ex-Smashing Pumpkin James Iha, Fountains Of Wayne co-founder Adam Schlesinger, Taylor Hanson of Hanson and Cheap Trick drummer Bun E. Carlos have formed a supergroup named Tinted Windows. Billboard reports the band has recorded their debut album, set for a spring release, with a SXSW showcase set on tap next month.
Roots Rock Blog: Pat Green, Henry French, Album Charts, 20 Questions with Cross Canadian Ragweed
From my blog for NUVO in Indianapolis (nuvo.net) – check it out there a couple times a week for show reviews and info like this:
On the Americana airplay chart from Radio & Records, Otis Gibbs was at #5 with his “Grandpa Walked A Picketline” album. The Gourds “Haymaker!” album is in the top spot, as last week’s #1 album, “Little Honey” from Lucinda Williams falls to #4.
Robert Plant and Alison Krauss’ “Raising Sand,” which won album of the year at the Grammy’s on Sunday, re-entered the Billboard album chart at No. 68, with sales of 9,000 last week. For the chart, most gains are a result of downloads on Sunday night after the show. The Fray earned its first #1 on The Billboard 200 with its sophomore self-titled album selling 179,000. Last week’s #1, Bruce Springsteen’s “Working on a Dream”, slips to No. 2 in its second week with 102,000 sold.
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Great little “20 Questions” interview with personal fave Cody Canada of Cross Canadian Ragweed. They blew the roof of the Vogue in late 2008 and defy simple music pigeonholing – they just rock in an American rock and roll way. Check out interview here….
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Choose Only One? Live Show Pick: Henry French and the Shameless rocked Birdy’s on Saturday night (2.14). They have a great EP “Swagger and Sway”. One of those bands (Bodeans, Swinging Steaks, Replacements) that make hook-filled, guitar-driven, songwriting-strong heartland rock records. Hear more here.
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Though he has always been my Bryan Adams of country music, I have liked Pat Green for a long time. CMT.com says his new song “Country Star” (and watch some sidestage video – they come out to “Eminance Front”…) is “hooky, catchy and funny enough to move him from edgy Texas rocker to full-on Nashville phenom. And it’s about time.”He is great live, and I love Texas music, even if Pat has watered his down for more mainstream success. Jack Ingram has done the same. Still, would rather listen to those two than most of the glossy, sugary, disposable country music that is on the radio and dominate awards shows. Dann Huff produces (Keith Urban and Rascal Flatts are two other clients) so that means no rough edges. Still, worth staying on board with Green. Oh, and I liked Bryan Adams until he started to suck.
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Randy Rogers Band received an Academy of Country Music nomination this week for vocal group of the year. They will lose to Rascal Flatts, but nice to have a rowdy Oklahoma/Texas/Red Dirt band get noticed.
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Finally, an interesting into-the-head blog from Springsteen on his official site. Bruce blogging? Multiple albums in one year? Ten years ago, who would have thought those two could happen? Actually, a terrific blog. (Read it here) Bruce rarely writes prose, instead does interviews and writes songs. So it is a bit unsettling to read. But behind-the-scenes is what we want, right? Plus a striking photo gallery from Danny Clinch.
Review: Bruce Springsteen – "Working on Dream"
The Bruce Springsteen album Working on A Dream is getting roundly ripped for being rushed and lyrically vapid, and also earning some glowing reviews that focus on the well-executed pop/rock sonic departure and commend him for not using his platform to perform a soundtrack to the Obama juggernaut.
Here’s what it really is: Working on a Dream actually allows us a new way to listen to a Springsteen album. Is rocks and pops like nothing he has made. Clear and undone of the muddy Brendan O’Brien production on Magic, it positively gleams. The band shines, even if much of it was overdubbed after a core group of Bruce, pianist Roy Bitten, drummer Max Weinberg and bassist Gary Tallent cut the basic tracks. But it moves me. And I wasn’t trying to like it, anymore than I was trying to hate it. I was just listening.
There are hooks and shining chord changes and plenty to make it as interesting — in a spiritually musical sense — as any music coming from any artist.
Lyrically, I’ll agree with those who say the gut-wreching, subtle universal truths revealed by Bruce are fewer than on, say, Darkness on the Edge of Town. Yet it feels like a record (and I will periodically still use the term “record” to refer to albums. I won’t however, say eight-track) that will grow, peeling back to reveal more good tracks than bad with repeated listens. As I write about the latest Old Crow Medicine Show album, Tennessee Pusher, the best albums are never just a sugar buzz, though need enough instant gratification out of the case to warrant a deeper dive.
Bruce has something good here. So I will continue to dive in. More listens will tell me if this one is a masterpiece hidden by those who bemoan because of what it is (different), or if it is really just a 2009 version of Human Touch (shiny and empty). I’ve been wrong before. But my gut is saying interesting and worth the time to get to know it
I’ve been right before too.
[youtube=http://www.youtube.com/watch?v=JoVqnzr5VUQ]
New Springsteen – Working on Dream – The First Listen
Picked up the new Bruce Springsteen album “Working on A Dream” a few days early. It is getting both roundly ripped for being rushed and lyrically vapid, and also earning some glowing reviews, focusing on the well-executed pop/rock sonic departure and commending him for not using his platform to perform a soundtrack to the Obama juggernaut.
Here’s really what it is: “Working on a Dream” actually allows us a new way to listen to a Springsteen album. Is rocks and pops like nothing he has made. Clear and undone of the muddy Brendan O’Brien production of “Magic”, it positively gleams. The band shines, even if much of it was overdubbed, after a core group of Bruce, pianist Roy Bitten, drummer Max Weinberg and bassist Gary Tallent cut the basic tracks. But it moves me. And I wasn’t trying to like it, anymore than I was trying to hate it. I was just listening.
There are hooks and shining chord changes and plenty to make it as interesting – in spiritually musical sense – as any music coming from any artist.
Lyrically, I will give those who say the gut-wreching, subtle universal truths revealed by Bruce are fewer than on, say, “Darkness on the Edge of Town”. Yet it feels like a record (and I will periodically still use the term RECORD to refer to albums. I won’t however, say EIGHT-TRACK) that will grow, peeling back to reveal more good tracks than bad with repeated listens. As I write about the latest Old Crow Medicine Show album, “Tennessee Pusher”, the best albums are never just a sugar buzz, though need enough instant gratification out of the case to warrant a deeper dive.
Bruce has something good here. So I will continue to dive in. More listens will tell me if this one is a masterpiece hidden by those who bemoan because of what it is (different), or if it is really just a 2009 version of “Human Touch” (shiny and empty). I’ve been wrong before. But my gut is saying interesting and worth the time to get to know it
I’ve been right before too.