Dubbed “The Wake,” the four-band bill at The Earth House in downtown Indianapolis on Friday night was a well-paced night of throwback Midwestern heartland rock, updated for the times. Held in an old church (with the gospel influence that brings) is most certainly a good thing in rock and roll.
All four bands were almost entirely Indy-based. The Weakenders, with only a guitar player not from Indy (he was the from-the-gut guitar-playing, long-haired Nashville cat) were the final band of the night, and brought home the two-guitar rock and roll turned-up-to-11 noise.
The Dead Hearts showed the promise and original music that warrants following the Tom Petty/Bryan Adams/Springsteen vibe they throw off when they play. Attakula was a surprisingly diverse and mature roots rock version of Arcade Fire. And Henry French and The Shameless worked as a three-piece; French wrangled rock and roll grit and beauty out of his Telecaster guitar and was helped along by the cranked-up drums.
The show was a model of efficiency, moving from one band into the next in about 15 minutes each; it roared to a start with French, whose sound channeled a rocked-up version of Son Volt. They tore through just over 45 minutes of originals. French, who has said he is taking a break from the band and music for a while, was most effective when taking a song’s energy, and twisting it higher as the song roared. A neo-Bo Diddley beat, and Henry stomping his right foot while facing the drummer during the last song of the set, was goose bump-inducing.
Attakula, six-piece band of nuanced roots rock, revealed themselves as a contender for best local talent working in the Americana genre. They can come with twin guitar attack, or bring on a mandolin to replace the Gibson Les Paul. A full, intricate sound and Petty blues mixed with The Band country-rock moments were highlights.
With “Not What I Wanted to Say” coming early in their set, The Dead Hearts brought the most accessible songs of the evening. They, as all the bands did at some point in their set. worked moments of beauty mixed with barbed wire electricity, By the time they reached “Bad For You” at the end of the 50-minute set, singer Brandon Perry had found sweet spot of chunky rhythm guitar with Brian Gropp’s gospel-tinged Hammond B3-like keyboards. The band is only one year old, and they’re still growing in confidence. If they find a way to let loose a bit more during performances while continuing to write, I like their future,
The most polished, and also pleasingly Shooter Jennings-like rugged, of the groups was the Nashville-based The Weakenders. Three of the four members are from Indy, and have recently moved to Tennessee. Guitarist Eli Chastain led them through “Sink or Swim,” echoing a Neil Young rawness; the two hard-strummed guitars worked together with slamming drums to show off the band’s efforts to take their musical game up a step by moving to Music City. Their effective harmonies and a nicely rehearsed set closed the show, using high-energy rock and roll with country-via-“Exile on Main Street” touches to pull the crowd in.
Were there things to that could have been better? There were moments with each band when lyrics needed to be sold harder, as they stopped being words and blended into melody. I would have loved a cover tune from each band; sometimes I need one, even on a night of originals. And the crowd of a 100 or so felt large enough to make it seem like the night was appreciated, but they did hang back until The Weakenders took the stage.
In reality, these are minor qualms with a show that was meant to refute the notion that American rock and roll is scarce — or dying — in Indianapolis.
As Brian Gropp of the Dead Hearts told me between sets during the show “American rock is out there” — at house parties and in basements; it’s just harder to find.” For one night, it seemed lost no more, and instead found in an old church in downtown Indianapolis.
And it may be in the hands of these four – and the others who mine the same sound — to keep playing, elevating their on-stage energy, and continuing to honor their true voice. We know it is rarely a one night or one week or one month endeavor to get anywhere worthwhile in life, professionally or otherwise.
It’s up to one band to make themselves heard with American rock in Indy. If any one of these bands, or others who were not at this show, takes their musical game to the next level — in popularity and with creativity — then others could follow. This was a good step in the process. What’s next?
Henry French
Concert Preview: "The Wake" – Four Indianapolis American rock and roll bands ready for Earth House
Can American rock and roll survive in Indianapolis? And if it is going to, where in Indianapolis can it be found? And what happens when four bands, all who embrace the retro-yet-authentic sound of American rock, struggle to get booked into an Indianapolis club?
On May 18, the stage on the Earth House in downtown Indianapolis will be shared by four Indianapolis American rock bands, doing their part to make Telecaster guitars ring loud in our city, just as Roadmaster, Henry Lee Summer, Mere Mortals and many others did in the 70’s and 80’s.
Dubbed “The Wake: A Showcase of American Rock ‘n Roll” (i.e. if rock is dead, let’s have a freakin’ party), The Dead Hearts, The Weakenders, Attakulla, and Henry French & the Shameless bring three-chord rock and roll noise to the old church.
Yet to hear The Dead Hearts keyboardist Brian Gropp explain it, there seemed to be little love for the Tom Petty-esque rock the band embrace.
“At the end of February, Eli (Chastain) from the Weakenders contacted me looking to get a show going in Indy,” he says. “A couple days later, I get an email from Greg Osborne from Attakulla. Our name happened to be dropped to him. I’m thinking the more the merrier. After listening to both bands, and knowing how good Henry French is, I thought this is one heck of a lineup,” Gropp says.
So they started looking for a venue.
“There was not a medium-sized club within I-465 that gave us the time of day. We went after a few of our favorite clubs from multiple angles and were repeatedly ignored,” Gropp admits. “We started to get a little frustrated. Nobody wanted this show.”
Eli emailed Gropp about renting a DIY venue or having a house party. At the end of his email he said, “Is rock and roll dead dudes? Say it aint so!’
“We finally got a bite at The Earth House. After we worked out the details, we realized that we have to show that independent local rock and roll is very much alive in Indianapolis.”
French had the idea for the show’s theme.
“Since we kind of got snubbed by everyone, I consider this a call to action to an extent,” he wrote in the original email to the bands. “Time to prove that rock and roll still has a crowd in Indy.”
It was his suggestion to build a title and theme for the show that’s on all the posters, website and handbills that proclaim “rock and roll ain’t dead.”
They found a media partner in the Back Roads Radio Show. They emailed, and it intrigued me; one show, four American rock bands in Indy, and the struggle to do it.
***
What the hell is American rock and roll anyway?
Do the Black Keys fit the description? How about less-mainstream bands like the Bottle Rockets and Deer Tick? Or Kid Rock, with his penchant for emulating his idol, Bob Seger? Or is it the domain now of country performers like Miranda Lambert and Eric Church?
I’d wager it is somewhere in the influences of these artists, and standard bearers like Wilco, John Fogerty’s CCR, Tom Petty, and the sound of Seger and Mellencamp – who loves that sound more than Indy, right?
“Our opinion on it is kind of like this; our favorite bands wrote classic songs,” Chastain, the guitarist in The Weakenders, says. “To us, stuff like What’s the Story Morning Glory? or Damn the Torpedoes are always going be on iPods or in playlists or on radio for a reason; they’re full of absolutely undeniable jams. We are aiming for that kind of territory.”
Longtime Indiana guitar player John Byrne has been plying his trade for two decades as a go-to sideman in bands like Mere Mortals, Danny Flanigan and the Rain Chorus (who he is joining for their own show the same night at another Indy club / Locals Only – 9pm), with Jess Richmond, 8-Track All-Stars and many others, most variations on a sound that used to be called heartland rock.
“It’s a tricky business trying to define or quantify something as broad and subjective as American rock,” Byrne says. “Neil Young said it best, I think, when he said ‘once you talk about mystique, you have none,’ but I definitely think that it has some essential, defining characteristics.
“For me – who basically grew up trying to be the kid that Patrick Fugit plays in the seminal rock movie “Almost Famous”, – the best, most effective American rock and roll had to have at least some self-awareness of what it was trying to deconstruct.
Gropp echoes the sentiments of Byrne.
“(It’s) always a slippery slope when you start to define a genre. We have some obvious influences. All four Dead Hearts have a mutual enamoring of Tom Petty and The Heartbreakers. I am biased being the keyboard player, but I love a band with driving organ and keys (and) love the E Street band so much.”
“If pressed to pick a single band that has become the most succinct standard-bearer for American rock in our current era,” continues Byrne, “I’d have to say Wilco because they quite literally took up the mantle of “Americana”, that somewhat self-congratulatory sub-genre that did its best to keep burning the twangy troubadour flame of vintage Neil Young, Gram Parsons, (and) Townes Van Zandt, and infused it with the intensity of the Stooges and the weariness of Steve Earle while rocking like a hurricane.”
With regional and national rock acts playing shows at the Vogue (upcoming dates include the Bodeans, Otis Gibbs and Dawes), Birdy’s (Paul Thorn has a show on June 23) and Radio Radio (two shows this month from The Lumineers), it would seem there would be a market for bands with similar sounds, on the local level.
What is trickier for most local and regional bands, is working on establishing a consistent fanbase for shows. And to do that, it is more difficult if there is not a healthy American rock and roll scene. Is there one in Indy? I would argue a pair of shows from aforementioned The Lumineers, and consistent crowds for Old Crow Medicine Show, Lucinda Williams, Old 97’s and BoDeans, among others, gives the appearance of a plugged-in, web-savvy audience that knows the music and where to find the shows. Is that enough for local artists and bands of the genre?
“Rock and roll is still everywhere,” Gropp says. “In garages, basements, and house parties. I think there are a lot of frustrated rockers wondering how to get the music elsewhere. There are still a handful of places that will occasionally let a live rock band do their thing, but they better bring a crowd. If not, they don’t want you back.”
“Indy just doesn’t have the same amount or type of clubs that it did 20 and 30 years ago,” Byrne admits. ”Save the occasional aberration, local music has been banished from Broad Ripple. Plenty of cool shows happen in Fountain Square, but it seems to me that the gigs that get the most notice are for bands from out of town.”
As Byrne notes, there are clubs in the strip malls that book cover bands, And he plays in those bars because, “at the end of the day, I just love playing guitar.”
“If you want to find the essence of American rock and roll in Indianapolis any given week and you aren’t willing to settle for another heartfelt walk-through of ‘Mustang Sally,’ you have to dig pretty hard,” Byrne concludes “The good news is that there is music here, and plenty of it, but there’s just no getting around the simple law of economics that supply doesn’t create demand.”
***
For the four bands playing “The Wake”, the potential success of the event becomes a lesson in hard work, and networking an audience that they, WTTS and the terrific Back Road Radio Show cultivate. It also helps they believe deeply in the sound they are making.
The Weakenders are living in Nashville, Tenn, with three of their members are from Indianapolis. This will be their first show back in town. They have a new record Super Major, coming out this spring.
“We’ve noticed with the band, people seem to actually mean what they say to us when they talk about our songs, or the new record or the live set or whatever it is,” Chastain says. “People seem to really think we’re on to something. That is a really good feeling.
For The Dead Hearts’ Gropp, the effort to carve a niche, or be a part of something that means a lot to not just his band, but many like-sounding and –minded others, is one reason to go forward.
“So much of what we do is promotion and trying to find a balance between keeping people interested and not annoying them. It can be really taxing and frustrating, contacting countless clubs and not getting a response The bottom line is the music. We love making music. We would probably do it even if nobody was listening.”
Attakulla call their music a “revival of American garage rock wrapped in a crunchy, electrified folk sound.” Henry French likens himself to Tom Petty, the Foo Fighters and the Replacements. I even wrote that French was a “guy has the potential to make the next great Midwest rock and roll record.” And that The Dead Hearts were the Indianapolis’ Best New Band of 2011.
Is that enough? Can their passion, diligence and the sound of Indiana rock and roll get an audience to a beautiful old church in downtown Indy featuring these four?
According to Gropp, music fans know where to find good shows.
“I think people want something honest, something they can interact with. Something personal where they can say, “Oh yeah, I was there that night. I remember when that happened.’
For all their struggles in finding the right venue, they hope the show called “The Wake” will jump start something for them.
And Indianapolis will have a place for music that we call American rock, the trusted sound has never really gone away. For bands like The Dead Hearts and the Weakenders, they simply keep pushing forward, even if it is just three chords at a time. Because, for them, that’s the only thing they can do.
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http://www.facebook.com/events/417279008285814/
www.backroadradioshow.com
www.earthhousecollective.org
When: Friday, May 18, 2012 at 7:00 p.m
Where: The Earth House Collective, 237 N. East St., Indianapolis, IN 46204.
Tickets: $7 in advance ($10 at door) and available at www.brownpapertickets.com/event/240272.
www.thedeadhearts.com
www.theweakenders.com
www.attakulla.com
www.reverbnation.com/henryfrench
Indiana Music: Catching up with Henry French
After his stint as leader of Henry French and the Shameless (and the excellent rock record that came from that version of the band) French has been spending his time with solo gigs, the Purple Hat Project and working his way towards a new album.
French, who has a healthy understanding of what makes rock music great (read about his favorite DVD’s here), seems to be the kind of guy who has it in him to make Indianapolis’ next great rock and roll record. That’s what I think. We caught up with the Telecaster-wielding guitarist recently, hoping to uncover what is next for the singer/songwriter, and when we can expect to hear a new record.
ROB NICHOLS: What about some new songs and original music? Got any for us?
HENRY FRENCH: New songs are definitely on the way. I’ve whittled the list down to 15 songs, and will certainly reduce a little more from there as I start recording real soon. What was intended to be another EP last year has turned into either a full-length album or maybe two EPs.
RN: Do you have a new band?
HF: Full band shows will start back up towards the end of July. I’ve been playing solo acoustic shows over the past year or so as a way of trying new material out. I’ve always been a firm believer that any good song can be played on one guitar with one vocal, and that’s how I’ve tested songs for the past several years. The Shameless has evolved into a revolving cast of players, so, depending on the night, there may be different players than the last time. In the past I looked for a core of musicians to call my band; (Now) I’m happy to have some great musicians to call on as needed, who all lend their own stamp on the music for each performance. The album will probably follow the same formula, using different musicians to get a blend of different takes and tastes on my tunes.
RN: How do you get your music recorded?
HF: I do demos at home, get together and flesh them out with musicians, and try to let the songs evolve on their own. It’s a pretty long process, sometimes taking months to years to get it to the point where I feel it’s ready to be recorded. I then try to turn over the recording portion to a producer or engineer, so I can concentrate on the performance. If done right, I like the studio and home for different aspects.
RN: How’s the Indianapolis been treating your music? I’d call your style rock and roll, to try and not pigeonhole it too much. To me, rock is guitars, drums and good words.
HF: I’d consider myself a pop songwriter, the same way I consider Foo Fighters, Tom Petty, the Replacements, and Wilco all pop songwriters, and heavy influences of mine. At the core of all these bands are simple, memorable hooks. Ttheir delivery is just not in the commonly perceived “pop” vein. I love the honesty of that folk/americana/alt-country sound, or the simplicity of what a rock band used to be, and that’s the sound that gets me described as Americana – which I’m ok with. The art of the 2 1/2 minute pop song, actually written and played by the band seems to be a lost art nowadays (with a few exceptions), and that’s what I strive for. Simple, honest, intelligent and personal pop songs seem to be rare, regardless of genre. Although it’s really tough to build an original music business in this town, these tenets of how I try to write are a big reason why I live here. Indianapolis is a great midwest town that, at it’s best, can be simple, honest intelligent and personal. That’s why Indy is my home.
RN:What have you been listening to recently?
HF: Recent listens? Gaslight Anthem, the Deep Vibration, the Damnwells, Lucinda Williams. Considering the current musical landscape, I’m generally excited by music I rediscover years later. Currently in my car is Pleased To Meet Me by the Replacements, Songs in the Key of Life by Stevie (Wonder), The Smithereens, Yankee Hotel Foxtrot by Wilco, and Will Hoge.
RN: So, musically, the next year means what?
HF: The remainder of this year is all about getting my little tunes recorded right. If I can get it done quick, the songs will be out at the end of this summer. If it takes longer, it takes longer. Life has a way of making it’s own schedule for my tunes.
Roots Twang News: Jethro Easyfields, Henry French, John Prine Opera
Americana (and other) artists Bobbie Lancaster, Tim Grimm, Jan Lucas, Tim Brickley, Michael Shelton, and Jenni Gregory will perform in the show Positively Prine at the Phoenix Theater May 7-9 and 13-16. It’s the stories of six characters told through the music of John Prine. Worth a look for fans Prine fans I’m certainly one. His debut is one of the best in rock and folk history. Bryan Fonseca directs this production, which they are calling an “operetta”. And anything Tim Grimm touches is usually really good, just so you know…
Roots rocker Jethro Easyfields is taking a break from recording his new album “Bloodletting” to play Spencers Stadium Tavern on April 24th with “some very special guests”.
Finally, Henry French is set to rock Friday, May 21 at Radio Radio.
Upcoming Indianapolis Roots Rock Shows
Some Indianapolis alt-country/roots rock gigs you should know about:
Nov. 13: The Elms w/ Special Guest Henry French and the Shameless, The Vogue 8 p.m.
Nov. 14: David England, Vulgar Boatmen, Old Flames, Radio Radio, 1119 E. Prospect St., 9 p.m.
Nov. 18: The Fox Hunt, Joey Welch, The Complete Unknowns, The Vollrath, 118 E. Palmer St., 8 p.m.
Nov. 18: Carrie Rodriguez, Royal Theater, 59 S. Washington St. Danville, 8 p.m.
Nov. 21: Will Hoge, Radio Radio, 1119 E. Prospect St., 9 p.m.
Nov. 21: Rusty Bladen, Louie’s, St. Rd 37, Fishers, 9:30 p.m.
Nov. 21: Vagabond Opera, Royal Theater, 59 S. Washington St., Danville, 8 p.m
Nov. 22: Alexa Woodward, Elam Abraham Blackman, Adam Kuhn, The Accordions, Earth House, 237 N. East St., 8 p.m.
Dec. 4: The Reverend Peyton’s Big Damn Band, Jascha, Joey Welch, The Vogue, 6259 N. College Ave., 9 p.m.
You guys know I think The Elms are the real deal, right? They work hard, tour around in a van, playing sweaty, greasy, soulful music for 10 or 100 or 1,000 people at a time. The Elms seem to think rock and roll matters. Gotta get behind that, because it’s the difference between music that means something and all the rest of the stuff out there. Here’ s the new video for the hook-laden “Back to Indiana”. (I think it’s golden when bands make MTV-ish videos today. The new retro…). Rock forward…
[youtube=http://www.youtube.com/watch?v=3AkjV7k1RUE]
Indiana Roots-Rockers The Elms Set Album Release; with Henry French and Shameless in Indy Friday; Mellencamp Box Set, More
The Elms’ new studio album, “The Great American Midrange”, is out on August 25 and will have 12 brand-new songs, recorded in Nashville and Seattle from February – April of this year. Their new single, “Back To Indiana”, will have its official premiere this Sunday on ABC during the national television broadcast of the Indianapolis 500 race
Of the local bands (regional bands?) that flip my Americana switch, they are one. And they team with an up-and-coming band to hit the Rathskeller in downtown Indy Friday (5.22) night. The Elms just wrapped recording a new album, and are out playing tracks from it. More of their crunchy, literate heartland rock. Henry French and the Shameless open up. Check out their webpage, ’cause you may not be familiar with who they are. If you are reading this, you will like it.
BONUS TIP: It is the outdoor biergarten with French from 7-8p and Elms rock from 8-11pm. Hands down, it is the best place to see live music in the summer. Stop arguing. Go see. Good beer.
[youtube=http://www.youtube.com/watch?v=7IF3KBPD8hk]
Summer Roots Rock album releases…and more to come.
JUNE 9
TODD SNIDER – THE EXCITEMENT PLAN
RHETT MILLER – RHETT MILLER
TODD SNIDER – THE EXCITEMENT PLAN
RHETT MILLER – RHETT MILLER
JUNE 23
TIFT MERRITT – BUCKINGHAM SOLO
LEMONHEADS – VARSHONS
PATTERSON HOOD – MURDERING OSCAR
JUNE 30
WILCO – WILCO (THE ALBUM)
LEVON HELM – ELECTRIC DIRT
JULY 7
SON VOLT – AMERICAN CENTRAL DIRT
THE JAYHAWKS – MUSIC FROM THE NORTH CO…
John Mellencamp will release a four-disc, 72-track box set titled “On the Rural Route 7609” this fall. The number 7609 is a reference to the fact that the set spans Mellencamp’s entire recording career from 1976 to 2009. It will include a disc of early demo recordings, two discs of various versions of well-known songs and previously unreleased songs, and a fourth disc that will include different versions of other material. It is estimated that 65-75% of the material on the box set will be previously unreleased recordings, whether they are demos or alternate versions of familiar songs or songs that were never released for one reason or another.
INDIANA AMERICANA: Stella and Jane
Even when comparing artists to other similar-sounding bands, there seems to be a musical flavor that runs through many of the artists who come from Indiana. A lack of pretension. A small, almost unnoticable degree of dirty rock in the sound. And usually a nod (or more) to some kind of 60 or 70’s rock sound, even from today’s younger bands.
Stella and Jane are Stella Weakly and Bobbie Jane Lancaster, based in Bloomington, and with harmonies Indigo Girl-like. But there is far more twang from these two (and the band that comes along) than to stop with that comparison. Soulful, folky and even three-chord rockish in places, the album “On With the Show” also features multi-instrumentalist Jeff Foster.