John Mellencamp announced the first leg of the No Better Than This Tour will begin in late October. The tour will be “an evening with,” type of show, and will play mostly theater-sized venues, although one of the most interesting bookings announced is a November 11 show at Hinkle Fieldhouse, one of five Indiana shows. The tour, anticipated to continue through the Spring of 2011, will begin on October 29 in Bloomington.
The format of the show is three pieces: an acoustic set, Mellencamp fronting a small combo, and a full rock band segment. The tour’s opening act is a documentary film by Kurt Markus called It’s About You. Shot on Super8 film over the course of last year’s Bob Dylan-John Mellencamp-Willie Nelson tour of minor league baseball stadiums, it chronicles the creation of the album No Better Than This. which comes out August 17.
TOUR SCHEDULE
Oct. 29 – Bloomington, IN – Indiana University Auditorium
Nov. 1 – Cincinnati, OH – Music Hall
Nov. 3 – Nashville, TN – Ryman Auditorium
Nov. 5 – Kansas City, MO — The Midland
Nov. 6 – St. Louis, MO – The Fabulous Fox Theatre
Nov. 8 – Indianapolis, IN – Clowes Memorial Hall
Nov. 11 – Indianapolis, IN – Hinkle Fieldhouse
Nov. 13 – South Bend, IN – Morris Performing Arts Center
Nov. 16 – Fort Wayne, IN – Embassy Theatre
Nov. 17 – Cleveland, OH – Palace Theatre
Nov. 19 – Detroit, MI – Fox Theatre
Nov. 20 – Pittsburgh, PA – Heinz Hall
Nov. 22 – Minneapolis, MN – Orpheum Theatre
Nov. 23 – Minneapolis, MN – Orpheum Theatre
Nov. 26 – Chicago, IL – Chicago Theatre
Nov. 27 – Chicago, IL – Chicago Theatre
Tickets to all shows except in Pittsburgh and Chicago go on sale this Saturday (August 14) at 10am.
mellencamp.com
Rob Nichols
Roots Rock News: Todd Snider in NY Times, Bruce doc in September, Truth & Salvage Co. video
A piece in the New York Times captures the essence of Todd Snider. I remember in 1996, seeing Todd and the Nervous Wrecks perform a sweaty blowout of a show at the Patio, and later that year, at the Vogue, and thinking then that he was pretty damn special. And I figured the road ahead to any mainstream success would be a long one. Truimphantly, he has persevered to create a solid spot for himself in the pantheon of Americana singer/songwriters. Viva Todd.
Read article here
Hear the BoDeans as they played both new and old music at Studio 92, in advance last week’s show at the Vogue. Brad Holtz chatted with them about returning to Indy, their new album, and writing “Good Things” in Bloomington. They played a set featuring “Idaho,” “Stay,” “Shine,” and “Good Things”.
Hear it on WTTS website
Americana songman Jethro Easyfields has two shows scheduled in Indianapolis on his birthday this Saturday. First, he is at Spencer’s Stadium Tavern from 7:00-11:00pm before hustling north for a rockin’ midnight set at Locals Only with his band The Arrowheads.
Wanna hit a show just south of Indy? Jennie DeVoe plays on the lawn at Mallow Run Winery in Bargersville Saturday night at 7:00pm. Tickets are $15 and available at the winery. Kids 12 & under are free. It s a blankets-and-lawn chair gig.
Truth & Salvage Co., who showed why they are a band to remember when they came to Birdy’s back in May, is taping Jimmy Kimmel Live on August 16. They have a Gap-related video from Bonnaroo that is pretty sweet. Click here to watch
And as has been speculated for more than a year, official word now arrives that confims Bruce Springsteen is working on completing a new package related to ‘Darkness on the Edge of Town,‘ and it will include the new Thom Zimny film “The Promise: The Making of Darkness On The Edge Of Town.”
The documentary will premiere at the 35th Toronto International Film Festival on September 14, according to Shorefire Media, Bruce’s PR people. The film reportedly has a ton of footage from the 1970s and has been rumored to have been in the works for a couple of years, as has a box set or re-release of the Darkness album tracks, plus some unreleased music from the sessions.
The Elms end run with epic final performance
For more than four hours Friday night at Radio Radio, The Elms said goodbye the best way they knew how – they played heartland rock and roll.
Billed as a final performance as the Seymour-based group disbands, singer Owen Thomas and the rest of the gang went out on their terms. The show was Springsteenian in length, and showcased what they were ultimately best at: crafting memorable – and many times anthemic – pop/rock songs, showing roots of artists like Mellencamp and Petty.
The crowd (the show sold out well ahead of Friday) hung in there all night, through a 40-song set, rewarded with a sprint to the end that rocked heartily. They came to bid goodbye and fed energy back to the band, who was near the top of their game all night.
Thomas struggled to maintain his cool (though never lost his composure) early on, fighting back some tears as he talked to the crowd. As he told the audience before introducing the band, “You have two options: you can either be ‘profesh’ (as in professional) or you can let it all in.”
An early highlight was “Strut”, as guitarist Thom Daugherty showed why he may be one of the best rock and roll guitarists around, mixing sweetly nasty chords and powerfully elegant leads all night long. “Thunderhead” included great harmonies and the familiar “we can make it if you trust me” theme that permeates much of their best work.
Thomas told a story about a $150 jean jacket, with a flower sewn on it, that he bought in LA at a vintage clothing story, and that he had never worn it because the sleeves were too stiff. He said he washed it 40 times, and nothing worked to soften it. So he off cut the sleeves, and pulled it out of his closet and wore it for the last show.
Such was the tone of the night, with many songs, and lots of talking between them. Sometimes Thomas recounted a story about a bandmember, and other times said “I love you, I love you” to the crowd.
The others, including Owen’s brother Chris on drums and Nathan Bennett on bass, were more stoic, though Daugherty, who has been a friends with the singer since fourth grade, sweetly laid his head on Thomas’ shoulder at the end of the duo playing “Smile at Life Again”.
“You Got No Room to Talk!” from 2002’s Truth, Soul and Rock and Roll album mined the Bryan Adams territory they visit so well; Sugary-yet-powerful chord changes, drums that pushed the song and lyrics specific enough to mean something, and universal enough that you can make it your own story.
Hitting their stride with “The Workingman”, dedicated to their dads, and “Unless God Appears First” (possibly the best performance of the night), “The Tower and the Trains”, from 2006’s The Chess Hotel was introduced as an ode to their hometown, and Daugherty tore it up on guitar, while the rest of band broke out of the three-chord rock and roll songbook to get a little Zep-like.
A sprint to the end included “This is How the World Will End”, from The Great American Midrange album, and another example of why it is their best record. Gospel mixed with rock mixed with Elms. The same can be said for “The Way I Will”, one of the Chess Hotel’s pieces of power pop brilliance, and the energy of the night made the live version memorable.
Rockers “Back to Indiana”, “The Shake” and “Nothin’ to Do with Love” set the stage for “A Place in the Sun”, the final song off their final album. In the days leading up to the final show, Thomas has posted on his blog how the song had become his favorite. It’s message of finding one’s place in the world no doubt resonated deeply as the band prepared to quit.
There’s two questions to be asked: Was it a great show, and what made it worthy of a final performance?
The band answered with a show epic in length and heartfelt in delivery. The Elms were tight and aggressive when they played, and there was certainly no mistaking the love of the crowd for the four guys who grew from kids into adults in ten years, four albums, and hundreds of shows (and van rides) together.
For one last night, the bandmembers wore their hearts out in the open, and made some loud – and hopeful – noise, much like they have been doing in their decade together.
And if you are going to say a rock and roll goodbye, have a final blowout. And that’s what they did.
[youtube=http://www.youtube.com/watch?v=McFOB90imQM]
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BoDeans know the way to Indy
The BoDeans’ Friday show at the Vogue will be their one-millionth appearance in Indianapolis, as they are in town to play tunes from their ninth studio album, Mr. Sad Clown, released back in April.
OK. Not really. Yes, they are at the Vogue Friday, but have only played in our city 905,383 times since 1987. Every damn one of them a good show. Really. I’ve seen them so many times in the past 20 years – at the Vogue, or in Cincy at the Blue Note, or on a cold Monument Circle during Final Four weekend – and can’t remember walking away thinking that the band hadn’t worked hard at making a connection. The sound they make is unique. The new album is thoroughly BoDeans, and that’s why they survive.
We should be thankful there is a BoDeans; a band that rolls on despite just one (“Closer to Free”) song that could be considered a real hit. They have stayed true to their roots-rock and roll soul. Every show rocks, the audience sings, and guitars and drums are played loudly. Tell me what’s wrong with any of that?
Remembering the Elms before their farewell show
For their final show before the group disbands, The Elms have sold out Radio Radio this Friday night (July 30). The group that broke out of Seymour as a Christian band and went on to make vibrant, heartfelt and truly midwestern rock and roll is calling it quits for reasons a bit ambiguous, and finish their run with this final Indianapolis show.
According to their Facebook page, the show will be filmed in HD, using multiple cameras. Singer Owen Thomas writes on his blog that “we’re kicking around several ideas for the footage, which range from a complete concert film to a documentary about the cumulative 10-year experience of The Elms.”
There is a terrific blog by Dan Ficker at inreview.net where Thomas addresses questions surrounding the group breaking up. In the interview, The Elms’ lead singer said it was just a feeling that things should stop.
Hullabalou webcast this weekend; Cara Jean Wahlers releases Indiana music, Squidbillies welcome Americana
→ A couple hours south of Indianapolis, at the historic Churchill Downs, this weekend’s HullabaLOU Music Festival three-day concert begins Friday, and runs through Sunday. Since I’m not going, it affords the opportunity to watch a little of their live webcast. For me, a live music webcast is very nearly as good as finding treasure chest full of Coors Light and beef jerky. I like to geek-out and see how they handle the technical parts (audio, camerawork, etc…) of the webcast. Most of the time, I end up entranced at the coolness of watching it live, paired with being pissed because I would have done it differently. But that’s a “me” problem, right?