Tom Petty is producing an album by former Byrd and Flying Burrito Brother Chris HIllman. It is set for a September 22 release and is Hillman’s first studio album in more than a decade. Bidin’ My Time is set to be released on Rounder Records.
Early listen? The teaser sounds like Tom Petty indulged himself in his love of the Byrds.(No surprise, considering the comparisons that were made between early and mid-career Petty and the legendary 60’s group.). The promo video actually shows Petty band members in the recording studio with Hillman
Guest musicians include former Byrds David Crosby and Roger McGuinn. Hillman also recruits members of the Desert Rose Band (Herb Pedersen, John Jorgenson, Jay Dee Maness) to play. Hillman recorded seven top 10 country hits with the DRB in the late 80’s.
MIDWEST TOUR DATES
10/1 Nashville, TN City Winery
10/4 Newport, KY Southgate House Revival
10/5 Kent, OH Kent Stage
10/6 Chicago, IL Old Town School of Folk Music
10/7 Edwardsville, IL The Wildey Theatre
https://youtu.be/XQRN6fKUno4
Rob Nichols
First Listen: Will Hoge duet with Sheryl Crow – "Little Bit of Rust"
Will Hoge has slogged his way through years of van tours, bar shows and others having more success with his songs than his own band. He’s made some freakin’ great Americana rock and roll albums, including his most recent record Small Town Dreams. His shows are killer; a Telecaster-infused Memphis rock and roll blast.
Through it all, the consistent theme seems to have been that Will Hoge is just one of those guys who is better than people realize, meaning he may be in a van playing the 800-seaters for years.
But he’s smart. And his songwriting reflects it. You like Petty? Dig into Will Hoge. Shouldn’t be that tough.
And his new song, “Little Bit of Rust” from his forthcoming album Anchor brings Nashville neighbor Sheryl Crow into the mix, with a duet that blends the harmonies with a surprisingly biting electric guitar. It’s a song that pairs his endearing and enduring grit with a partner who might just raise his profile, even if that’s not his intention.
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Read the Rolling Stone story about the partnership here.
New album coming from Butch Walker. Really.
None of Butch Walker’s seven albums have reached the Top 100 on the US charts. His most recent record, 2015’s Afraid of Ghosts, crawled to 104 with Billboard.
Kinda odd, I think, because they sound authentic and of-the-moment but still seated firmly at the table with their influences. It’s rock and roll. But it’s shiny pop too, sometimes winding their way around each other in the same song. Sugary. Truthy. Hooky. Holy. Smart.
His audience is cult-sized. Those who know and like, well, are glad they know and like, because his music kinda digs in and finds way into a listeners gut. And heart.
Walker, raised in Georgia, has found his success with his producer’s golden-boy touch on records by Taylor Swift, Fall Out Boy, Avril Lavigne, Pink, Keith Urban, and worked on the new solo record from Gaslight Anthem’s Brian Fallon.
His go-to sound? Layered vocals that build a wall of cotton candy around a bottle of whiskey. A big-and-loud pop sound. It’s also back to the 80’s. FM radio. And AM radio too, full of static and sex.
Not too often that kind of material gets stitched together and heard, like Butch Walker does it, as a big ol’ blanket of 2016 goodness, covering you with a feeling of both nostalgia and like the song may be the newest little treasure that nobody else has found yet.
Walker’s new record, Stay Gold, is due soon. There’s a teaser video out today. And here’s a couple other of my favorites from him (and his recent work with Fallon) to test drive.
The Hold Steady announce re-releases and old band getting back together
Good news for fans of loud, Springsteen-ian guitar rock and roll with intelligent, soul-grabbing, blue-collar, Lou Reed-ish spoken lyrics, majestic piano, and essential gritty rock that transcends easy classification. The Hold Steady is celebrating their Our Boys & Girls in America album, which turns 10 this year
From the band…
“we are very excited! We will be playing a limited number of live shows this fall to celebrate. Our old friend Franz Nicolay will be joining us. More info on the first few shows will be available Wednesday, May 18. Mark it on your calendar!
“One apology: The plan was that today was going to be the day releasing the precise info on everything. Unfortunately, some details with our co-conspirators changed and it required waiting two more weeks on the details.
“Also, we are finally reissuing Almost Killed Me and Separation Sunday on VINYL this fall on Frenchkiss Records.
“Stay Positive! It’s about to get incredible!”
The Hold Steady.
Love that they are getting together with former piano player Nicolay, who lent a certain gravitas to their music and is associated with their glory days….
Midwest Kids and Prince
(Written the night Prince died. -RN)
Here’s the thing about Prince: to a midwestern guy back in the early 1980’s, Prince wasn’t necessarily in the cassette player. To most of us dudes, it took a while. For me, it took my friend Ron Hefner turning me on to the Dirty Mind and Controversy albums, and letting me borrow them back in 1983. I gave them back and went out and bought both.
And I’m not sure why. It certainly wasn’t Bob Seger. It wasn’t John Mellencamp. It wasn’t really quite like anything on the radio. It was adult and juvenile at the same time, with keyboards and groove. Funk. And sex. Lots of sex. But with the 1999 album, on the title song and especially with “Little Red Corvette”, the Midwest boys started to get it. And maybe it was because the Midwest girls already did. They knew Prince had the goods that made it easy to dance.
Then it was Purple Rain, and the movie. The explosion.
Look up his catalog on Wikipedia. I did. Amazing. Prince was ubiquitous on the radio for about ten years. Hit songs – and they are career songs – for other artists: Chaka Khan. The Bangles. Sinead O’Connor. Sheila E. Did you know he played the synthesizer that is so crucial to the sound of Stevie Nicks’ hit “Stand Back? Tonight, I’ve been listening to 89.3 FM The Current, an NPR station in Minneapolis that has been playing nothing but Prince music since a little after 1:00pm. They’ve done marvelous work.
It’s midnight now. They are playing “Jungle Love” from The Time. It sounds good. Damn good. The thing is, everything they have played has sounded good. Everything. The drum and keyboard sound that is the Minneapolis Sound – the Prince sound. It’s a reminder of the brilliance of his guitar playing and the twist he made on the mix of Sly Stone, Jimi Hendrix, George Clinton and his own brain.
Maybe it’s the filter of loss that makes the music sound more alive. Maybe because we are now able to somehow hear the soulfulness and heart and guts of Prince’s music more clearly.
What I hear when I listen tonight is intelligence and groove. Funk and smarts. Rock and roll and charisma. I’m glad it sounds so good, through the lens of a rewind. I’m happy to know the music was really that good, and our memories hadn’t tricked us.
I’m elated that we have the music to remind us of his genius. And so very sad that it’s where we are tonight.
Peter Wolf Pt. II
I wrote a piece on J. Geils frontman and solo roots-rocker Peter Wolf that we posted yesterday. Today, I came across a really good 9-minute interview he did last week on Boston TV. Great stories about his new album, the Rock and Roll Hall of Fame, about Springsteen, and about the first concert Wolf ever saw. #jgeils @springsteen